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Artists may sometimes let a composition become unwieldy, with dozens of layers, rather than bite the bullet and send a set of those layers into a precomp. Precomposing is often regarded as the bane of After Effects, because vital information is hidden from the current comp’s Timeline in a nested comp.
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These tips are especially useful if you’re someone who understands compositing but sometimes finds After Effects disorienting. Closely related to this is composition nesting, the act of placing one already created composition inside of another. Precomposing is the action of selecting a set of layers in a master composition and assigning it to a new subcomp, which becomes a layer in the master comp.
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